Sibylla Egli refers to her new, large-format wood prints as Umordnungen (engl.: rearrangements), which she is presenting at the Kunsthalle. Daniel Gallmann limits himself in his painting to two pictorial motifs. In the portrait format this is a figure picture (mother with child) and in the landscape format it is a landscape. These motifs are varied and composed into groups. Gallmann uses wooden panels as supports for his paintings, which he paints in several layers, sanding and reworking them again and again. This results in irritating and vibrating layers of paint. Strung together, the varying motifs complement each other and give rise to new images that appear like light falling through stained glass windows into a church nave. The artist Ursula Sulser investigates phenomena of color and light. In the Kunsthalle she shows, among other things, a photographic work. This photograph does not depict an object, but shows the color of the photographed light, whose "colorfulness" is in turn determined by the film sensitivity and the grain of the photograph. Various Farbhäute (engl.: skin made from paint) are laid out on the floor. In these investigations of the material color, she dispenses with a classical image carrier. The material itself becomes the pictorial object. The Farbhäute were created by painting inflated balloons. Since the paint does not bond with the rubber of the balloons, a pure skin made from paint remains.