Through Boris Nieslony's work, the exhibition space of the Kunsthalle is divided into three parts, corresponding to the three panels of a triptych. The first room stands for the past, the corridor for the frightening present. The two rear rooms are related to the alignment of the things on display and represent the conceptual, they are a kind of aesthetic commentary in which art historical aspects are also reflected. Boris Nieslony calls his approach anthropognostic; he is not concerned with definitive theories about humankind that can be verified down to the last detail, but with experiential connections. New things emerge from them. Space becomes a place of encounter.